![]() The Stomach Song does the same thing to folk music, except that it addsīlossomed with the more robust and varied The seven-minute Blues for Uncle Gibb is indeed an old-fashioned blues, although recorded as if we were listening to it from a keyhole. The closer, Cranley's Gonna Make It, is an upbeat country-rock shuffle. The electro-orchestral lull of Passport Radio dilates and distorts a soul ballad. The drums trigger the metamorphoses of Love and Mathematics, from jazzy interlude to minimalist iteration to emphatic crescendo. I Slept With Bonhomme at the CBC harkens back to the minimalist nostalgic chamber music a` la Penguin Cafè Orchestra. To the gently droning and looping eight-minute Last Place, the most To the dissonant violin lullaby Mossbraker Impressionist watercolor Guilty Cubicles to the Kevin Drew and Brendan Canning, debuted withįeel Good Lost (Arts & Crafts, 2001), a low-key (mostly instrumental)Ītmospheric fresco made of many interlocking parts, from the Jason Collett: Song and Dance Man (2016), 5/10īroken Social Scene, hailing from Toronto (Canada) and led by Jason Collett: Here's to Being Here (2008), 5/10 ![]() Jason Collett: Idols Of Exile (2006), 6.5/10 Jason Collett: Motor Motel Love Songs (2003), 5/10 Jason Collett: Bitter Beauty (2002), 6/10 ( Copyright © 1999 Piero Scaruffi | Terms of use) ![]() Broken Social Scene: biography, discography, reviews, best albums, ratings
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